It’s here!

The books have arrived and are lovingly designed by Caryl Wyse Peters with a haunting Dave Skyrie cover. The story is as slant as anything I’ve written: Lester, the narrator, isn’t to be trusted. And that’s the thing about these Shabazz stories – the central characters aren’t well. It’s also the challenge – how to depict a mind in chaos, unhinged, yet make it believable.

So far four of the these stories have been written, with the fifth just underway.

Anyway. There are two ways to get copies before they’re all gone (125 were printed) – through me, or through the publisher.

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Editing Website

After 18 months of knowing I needed one, I made one: a website for my editing services. Happy to have clients both big (publishers, corporations) and small (you, the Average Writing Human).  Is this an easy way to make a living? No. But it’s a satisfying one.  Check it out:

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Lee Thompson Editing +

How to disappear completely (part II)

scoverbjpSix or so years ago I had the chance to talk with Yann Martel at a private party in Moncton. He’d taken part in a Frye Festival event – a fall Community Read around The Life of Pi  – and knowing his background in philosophy I asked him a question. See, he’d asked if I wrote and it turned out I did (surprise) and in fact my first book was to come out in a couple of months.  What’s it about?  I told him it was simply a book of dreams presented as a novel, though length wise and style wise it was closer to a book of prose poems. He asked if they were actual dreams or fictional dreams and I wondered aloud if there was a difference then specifically posed a question: If my book’s content is pretty much verbatim (?) accounts of dreams, dreams whose content I didn’t consciously create, is this then a work of fiction or non-fiction? Or do we need another category? He thought for a minute.

But you chose what to write down, how to write it, present it, so it’s fiction, he said.

I may have nodded (slowly).

I still think it needs its own category. Why? Because though I chose the ordering of the words, I didn’t choose the who, the what, the where (yet, who else chose those? ). I had been dreaming of the same event (break up) and person (S.) for over a year as if my mind had decided to take a vacation from reality, “I like it better here”, or was on some obsessive quest for explanations.

After playing with the idea of including these dreams in the novel I wanted to write (I’d been noting the dreams in my e-journal, or on paper in the middle of the night, sometimes just a few lines), I wondered how a novel of dreams would read/feel. Maybe it was record keeping, too.  I sold the idea, literally, to friends, supporters, wrote till the dreams stopped, printed and hand bound 26 subscriber copies of “S. a novel in [xxx] dreams”, had a launch and thought that would be the end of it (and it was the end of the dreams, fortunately).  But one of the subscribers was a reader for a publisher (Broken Jaw press), talked up the manuscript, and long story short a couple of years later it appeared again.

To this date the one book I didn’t intend for publication is the one book I’ve had published. Sadly I had little means to promote it at the time, and it’s a bit of an odd sell, and the publisher was barely hanging on, had no distribution, so even though only 400 copies appeared, I doubt more than half have been moved. Those who have read it, however, have experienced it the way I hoped: puzzled, amused, moved, frustrated, wanting more yet strangely satisfied…

When I was writing the book, the title kept changing – 40 dreams, 50 dreams, 60 dreams – so I just wrote “[xxx] dreams” after a while. The final count, I believe, is 69.

Interested in a copy? Click the image of the book, or write me.  There are some kind reviews on Goodreads, too.

https://www.goodreads.com/book/show/6385209-s-a-novel-in-xxx-dreams